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The Rex Organization was formed and first paraded in 1872. The Rex Procession today is true to the long tradition of rich themes, elegant design, and floats built with traditional materials and designs. Most of Rex's floats are built on old wooden wagons with wood-spoked wheels. Since the founding of the Rex Organization in 1872 its traditions have helped define Mardi Gras. Rex's Proclamation invites his subjects to the grand celebration of Carnival. His royal colors of purple, green, and gold are to this day the colors of Mardi Gras, and the song played in the first Rex parade, "If Ever I Cease to Love," has become Carnival's anthem. Rex and his Queen preside over the Rex Ball, Carnival's glittering conclusion.
Photograph printed on canvas.
8.25" x 34.25"
Shipping cost: $14.00
My mother always told me I was an observer. She said I would sit still for hours, just watching the world go by. I got my first camera at age 12 but I did not realize the power of photography until I got a chance to participate in a photographic research project on killer whales. There, I began learning the power that photographs held.
I ended up in California. I met a master photographer and printer named Robert Cavalli. I begged him for a job for over a year. Finally, he hired me and taught me everything I know about the possibilities of developing and printing all kinds of black and white film. He was an amazing teacher and I could not have paid for a better education in any school. He was a painter with light and his passion for the medium transferred to me.
Developing my own personal style began when I had to ride a train each day for over 120 miles. It was a unique view of the world. The landscape moving while I sat still, suspended in a metal box. Images scrolled by, some just a flash, some slowly disappearing from view. It became a challenge to capture these visions.
When I reached the end of my trip, my mind always created a single giant mental canvas on which the journey was etched. All that I had experienced was reflected on my mind's eye including what I had seen and feelings about the journey. I realized that this happens when we travel through or visit a place and I began to wonder how I could convey this in an image. I began to collaborate with Robert and it was from our collaborations and years of practice that I was able to develop the image style I use today.
I call them “Crossings”. They represent the images left in our mind’s eye that form after we visit or travel through a place, our inner, giant, mental canvas.
Rebecca McNeill Meyers is a New Orleans artist living and working in the Northshore.
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